Expositions

“Всё,” said Andrey.

The artist has chosen a really capacious name for his solo exhibition, which, on the one hand, is a product of his specific creative period, and on the other – a manifesto expressing the limitlessness of tricks and techniques employed in his art. As an uninterrupted path of a brush moving across a single canvas, Andrey Adno introduces a self-portrait project, where all the images are unique, but at the same time they are a continuation of each other. We are gazing into these images, and there is no artist’s face in them – it has vanished, without even leaving the sense of its ephemeral presence.

Conventional painting methods perfectly go with the abstract and conceptual in the form of birches, which are a fairly “close” thing to the Slavs and are therefore used as a metaphor for the author’s inner journey to his homeland. What’s interesting is that the trees quite unrealistically, brick by brick, turn into a wall, transporting the viewer to the streets where, in fact, Andrey Adno began to develop as an artist. This wall is natural, pristine, natively graphically colored, and filled to the brim with energy.